- Aquent has offices in 18 countries & their clients include: Apple, BBC, Honda, Orange etc.
- RESEARCH:
- When looking for a job do LOTS of research; look in Design Week Top 100 Agencies etc.
- You need to find a specialism, where your strengths lie.
- Only 5% of graduates last year got a job in industry, so need to have work of an excellent standard.
- Find out which agency did the work you admire & target them, e.g. who did the branding for Orange.
- The top ten design agencies receive around 200 CV's a week around graduation time, so yours needs to stand out.
- Look for: good use of type, strong layout, relevant work, but the key is HOW it is presented.
- INITIATIVE:
- All successful designers continue to challenge themselves by self initiating projects. e.g. see a crap logo, go away & design it how you would have done it.
- Enter competitions. Major agencies advertise competitions on their website, prize = placement.
- Look on The Arts Council Website - they set live briefs.
- Tell everyone you know what it is you do, find commissions.
- Get down to a printers to find out process.
- Join Linked In - commercial networking site.
- CV PREP:
- Take your time.
- CV layout says a lot about your ability to handle type, space, copy etc.
- Attention to detail, spelling etc.
- Make it concise, two page limit, one page is ideal for a graduate.
- Make it professional, do not mistake quirky with creative.
- Leave out uneccessary details.
- Do keep it simple.
- Don't use funny backgrounds, samples of work etc.
- PDF PORTFOLIO:
- Keep simple.
- Choose key pieces.
- Tailor to your audience.
- The work should be the star - no flashy borders, backgrounds etc.
- Show your thinking - short description.
- PORTFOLIO PREP:
- Get rid of ringbound portfolio - always fall out in interview.
- Go the extra mile - bind it, emboss it, engrave it etc.
- Presentation is key.
- Research the company beforehand, you may have something in common with the person who's interviewing you.
- Think about what key skills you want to get across & how you can demonstrate them.
- What kind of commentary do you have? Every piece should have a story. What client wanted, what you persuaded them to have instead, how you implemented it etc.
- The flow of your portfolio is important. Open with your strongest piece, close with something memorable.
- Practice - present to friends, family, peers, people with experience in recruiting for design. Get them to report back to you on which pieces you sound less confident about etc.
- Take criticism, ask for advice, make changes.
- Take anything you don't love out - they'll pick up on it.
- Should be a flexible portfolio - take work that's relevant to the job you're applying for.
- Take out any work you're unsure about.
- Keep it up to date. No work over 5 years old, unless it won you a D&AD award.
- Take work samples, especially with interesting finishes e.g. foil embossing etc.
- Keep photography / illustration to a maximum of 3 pieces.
- Be clear & concise - it's a representation of how you can present ideas to a client.
- Don't flick through without giving an explanation.
- Logo - show variations of logo, how you got there. Put variations of your thinking in.
- Show scale - photograph it, show how it works.
- Logo - implement it, show how it could be used.
- GET AS MUCH WORK EXPERIENCE AS HUMANLY POSSIBLE.
Although the talk was very useful I found it a bit overwhelming, as the quality of work in the portfolio examples she showed us was unbelievable. After my surge of confidence yesterday after Anna's talk, I felt myself plunging back down in to a black pit of self doubt. At least I now have the tools to make my portfolio amazing, at least in itself if not the quality of work in it :S
I was keen for Emma to have a look at my work so I could gain as much as possible from the day, but so was everybody else. I waited until 5 o clock but I live pretty far out of the way, the last unilinx bus left at 5.10 and I had no money for a yellow bus, so had to leave. Before I left Emma said that I could email her my work so she could give me some feedback & that she's trying to get as many placements as possible for our class, which sounded pretty hopeful. One positive thing I did overhear whilst waiting around was Emma discussing web design with someone after they said that they'd enjoyed doing the design & coding in the SBC2 unit. Emma then said that there is a real lack of / niche for web designers & coders with a good grounding in design, & that they've been desperate to take more of them on at Aquent over the past two years. This filled me with real hope, & made me feel that I've chosen a route for my Professional Project that holds a lot of potential. I suppose only time will tell....
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